Showing posts with label SCBWI. Show all posts
Showing posts with label SCBWI. Show all posts

Wednesday, April 16, 2014

Iowa SCBWI conference recap

Last weekend I had the pleasure of attending the Iowa SCBWI spring conference.

My friend, illustrator Emmeline Hall, arranged for three of us to car pool and room together.

The conference started on Friday afternoon with presentations from Julie Ham on picture book beginnings and nonfiction picture books.

The next day included a keynote from Donna Jo Napoli and presentations from Carter Hasegawa, Laurent Linn, and Linda Skeers. After Donna Jo Napoli's speech I am reminding myself of my right to write. Despite the fact that I am not a morning person lately I've been carving out writing time for myself in the mornings. I'm sure the "morning" I'm referring to is much later for real morning people but that's what I've got.

I really enjoyed Laurent Linn's presentation and am looking the covers of the stack of books sitting on my coffee table with a little more perspective.

I'm using the advice in Linda Skeers's talk to improve the humor in some of my funny stories.

On Sunday the Illustrators spent the morning in an illustrator intensive and the writers spent the morning in a writers intensive. Julie Ham talked about Charlesbridge and Jessica Regel talked about queries and hooks. People in the audience shared their hooks and Jessica let them know what worked and what could be improved.

Overall it was a great conference. One of the things I really enjoyed was that it was very picture book friendly. I've been to conferences that seem very YA focused in the past and this felt like a good fit for the things I'm working on right now.

The conference was held in this old hotel called The Lodge. It has this sort of German, ski chalet, bavarian, castle theme to it. I know, a lot of those things don't go together. This hotel used to be the place to go in its hey day. Sadly it has fallen into disrepair. They also serve powdered eggs on the breakfast buffet with the exception of the omelet bar. But despite the fact that the hotel was a little like something out of a Stephen King novel I got some fun pictures.

Willkommen!

Seriously, these castle windows
Another great thing about this conference is that it happened to be in my hometown. Now I don't get back to B-dorf often enough because my parents moved to Des Moines but my best, dearest, friend lives there so I got to see her for two nights in a row.  I read books with her kids, had a dance party, and built a lego gas station.

Friday, February 15, 2013

Interview with Illustrator, Emmeline Hall


On Tuesday I sat down with my friend,  Emmeline Hall, to interview her because her first book came out this month.

The book, Voices Across the Lakes by Anita Pinson is a collection of folk songs about the Great Lakes with stories to accompany them. Music for each song is in the book and readers can go to the website to listen to the songs as well.

Here is a link to Emmeline's Illustration page on Facebook as well as the book's page on Facebook.  Like her page then come back. Don't worry, we'll wait.
Emmeline's Illustration Page on Facebook

Voices Across the Lakes Facebook page



When did you know you wanted to be a children's book illustrator?
"I always liked to draw. I have a theater, costume design degree, even while working on this I kept thinking I'd like to be an illustrator."  "I had a lot of false starts but I kept at it"

You won the Minnesota SCBWI 2011-12 Illustrator Mentorship Award, how did that help your career?
"It was huge. This book wouldn't be here. David Geister mentioned me to the editor otherwise I never would have been introduced to her."
She does remind people that seeing a book published is not part of the award "Every experience with the mentorship is different. My goal was getting my name out there and getting my first book published. I was a success." Her other goals for the award include building and online presence and building her portfolio.

Do authors need to find their own illustrators?
"So many people tell me they are writing a children's book when they find out I'm an illustrator."
"The editor and/or art director make the match between author and illustrator. It's handed to you, like an assignment. If you're a writer don't worry about finding and illustrator. They(editors) have a vision for the book, trust that their vision is right."

What is your illustrating work day like?
Emmeline is a busy mom to four girls. She also works full time at a theater so no day is typical.

"I start with emailing, the business side of things. I have a calendar and a running to do list. I have a couple things going at once. I'm working on writing my own picture book. I'm working on a picture book dummy with my mom."
"I have a lot of lines in the water, you can't just focus on one thing, you have to have a lot of things going at once."
Art Cabinet-photo by Emmeline Hall

Art Cabinet- photo by Emmeline Hall

   Tools of the trade- photos by Emmeline Hall



With a full house her artwork day ends at 3 when the kids get home from school although sometimes she is able to go back to a project after the kids are in bed.

Since she has a full house she does most of her work at the kitchen table, keeping her supplies in an art cabinet. When she's drawing or sketching at the table she wears a Drawing Hat. When she's wearing the drawing hat the kids know she is working.
The Drawing Hat-photo by Emmeline Hall

"My youngest now wears a drawing hat when she's drawing."

"They are all into books and illustrating books, cartoons, or journals. It's really a family thing. They are all working on a book."

What is your favorite part of the process?
"I love researching. It's easy to do too much so you have to know when to stop."

While researching the song Follow the Drinking Gourd she learned about Quilt Code. Much like songs this was used by escaping slaves on the underground railroad.  "Each symbol means something like safe place, or water nearby."

Quilt code spot art
Spot art sketches- photo and art by Emmeline Hall




Advice to writers and illustrators who are just starting out.
"Meet as many people as you can who are doing the same thing and who have the same goal."
"Learn how the industry works so you don't waste time submitting the wrong thing to the wrong place."

"Spend as much time looking at children's books as you can!  Study how the artwork and text play off of each other in the layout.  When creating art for books you need to be mindful of details that you wouldn't need to in fine art, such as leaving blank space for text and avoiding the 'gutter' (the seam in the middle of the book where the pages are bound---details get lost here!)."

Are there revisions in illustrations?
"There are changes with the process. You go into it knowing you'll have to do several versions before the final. But sometimes it's hard not to get emotionally attached."

Below are samples of sketches side by side with their finished product. All art and photos from Emmeline Hall.

Art and photo by Emmeline Hall

Art and photo by Emmeline Hall









Art and photo by Emmeline Hall















art and photo by Emmeline Hall



Photo by Emmeline Hall
"I realized that my bible is still labeled with our working title, 'Voices of the Great Lakes.'. The published title is 'Voices Across the Lakes.'. A great example of just how much can change during the creation of a book!"




Favorite Illustrators: Trina Schart Hyman, Edward Gorey, Quentin Blake

Illustrating music: Classical Christmas music in the early stages, Rap near the end of the project

To learn more about Emmeline follow her illustrator page on Facebook https://www.facebook.com/pages/Emmeline-Hall-Illustration/461741530552165?fref=ts

To lean more about the book Voices Across the Lake including information on buying the book visit the books website here.